I am inspired by
the ambiguity and beauty in the space of nothingness. The space that connects and differentiates
dichotomies is the space I seek to illustrate.
This gray zone is often overlooked in the world of classification and
differentiation.
I am often
inspired by images I collect from my vivid dreams. I dream vividly and lucidly, and I find the
dream world to be synonymous to the gray zone that I am trying to emulate in
this dimension. Overall, I love to capture beauty.
I enjoy peeling
off the layers of what is considered mundane to reveal the silent and at times
archaic beauty.
I seek to
highlight the beauty in what is often overlooked, and to also create portals of
beauty that can be construed as artifacts of soft power.
I find art to be
more than imagery for the senses but it can serve as a provocative platform to promote much
needed dialogue on issues that may difficult to discuss outside of the Arts.
My influences
cross many terrains and cultures. I am
constantly drawn to the similarities in the differences of cultures. My traveling has only intensified my desire
to help promote empathy within humanity.
I follow the
philosophies of wabi sabi, which is finding beauty in the imperfections. As time progresses, its wear and tear leaves
its mark on the living and inanimate objects.
This stage of progress is the gray zone that I love to capture. We are in the gray zone, from new to old, everything
under the sun goes through the process of absorbing time’s mark.
I am inspired by
films by directors such as Jean Luc Godard, Ousmane Sembène, to Yi Jae
Yong. My taste in music and visual arts
are an eclectic mix that has no limits.
The differences in the world need not cause division for we
are all linked. The differences should
be examined not from a point of superiority but to connect the dots of our
humanity.
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